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The ongoing stand-off between producers and exhibitors federation has been hurting the Malayalam film industry at a time when it started realising its potential to rise up to the level of other south Indian movies in terms of box office collection. Condemning the theatre strike, actor Prithviraj has questioned the rationale behind the demand of exhibitors in seeking a 50-50 share of the revenue.",

The decision on allowing sugar exports during the current 2023-24 marketing year (October-September) will be taken after the agriculture ministry comes out with the production estimates of sugarcane, he added.",

The incident’s effect on the IT systems includes a breach of certain file systems and the theft of certain company data and personal data,” it said in a filing with the stock exchanges on late Sunday.",

It all starts with a writer; it doesn’t always end well for a writer. Veteran screenwriter Anjum Rajabali, known for penning Bollywood films like Aamir Khan starrer Ghulam, Ranbir Kapoor-Katrina Kaif starrer Raajneeti and Ajay Devgn-headlined The Legend of Bhagat Singh, says writers in the Hindi film industry are fighting a battle on all fronts — from lack of dignified pay, insecure directors stealing credits to legal team of producers ensuring that when things go south, a writer is the one who suffers the most."

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The agreement was implemented on May 1 last year.",

The basis of the paintings are four photos secretly taken in 1944 by Jewish prisoners at the Auschwitz-Birkenau extermination camp, who risked their lives doing so. Richter transferred the four photographs with charcoal and oil onto the canvas and then gradually painted over them with oil paint until their content was no longer visible.",

The film is an affecting portrait of domestic violence and a commentary on the recent spike during lockdown. In India, the National Commission for Women (NCW) had raised an alarm on the rise in the cases of domestic violence during lockdown. With a running time close to seven times, it is also an urgent take on the indiscriminate nature of such violence on women, irrespective of their position on the spectrum of privilege. Das plays an urban working woman who does not remain untouched by the shards of domestic abuse. It’s the nature that differs. The film concludes with a powerful scene where the husband yells at her to open the door. “Do it yourself,” she retorts.",

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