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A film is only a film once it becomes something you can set your eyes on. For that you need a cinematographer. And for a series of unforgettable visuals, you need Santosh Sivan, the recipient of this year’s coveted Pierre Angenieux tribute at Cannes.",

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The film is an affecting portrait of domestic violence and a commentary on the recent spike during lockdown. In India, the National Commission for Women (NCW) had raised an alarm on the rise in the cases of domestic violence during lockdown. With a running time close to seven times, it is also an urgent take on the indiscriminate nature of such violence on women, irrespective of their position on the spectrum of privilege. Das plays an urban working woman who does not remain untouched by the shards of domestic abuse. It’s the nature that differs. The film concludes with a powerful scene where the husband yells at her to open the door. “Do it yourself,” she retorts.",

Sundar, on her part, said that the Congress workers’ behaviour and actions show how much they “actually respect women”. “You are burning an effigy, you are hitting my picture with broomstick or slippers, or throwing cow dung at my face, I mean that shows how much you actually respect women,” she told reporters.",

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Showstopper for the ace designer was Aditi Rao Hydari who, as expected, exuded inimitable grace and royal as she sashayed down the runway in an exquisite ensemble designer by Kumar. “A tale of textile magic ensues, unfolding with the splendour of Kashmiri embroidery,” the designer wrote, describing Aditi’s look."